Tuesday, January 30, 2007

Adoption News from Korea

Tough to love: trials of a volunteer

Thirty-nine-year-old Ron Fowler, an English teacher from the United States, has spent the last eight years in Korea focused on helping orphans. His critics, however, say he is also focused on himself, with one accusing him of being narcissistic and even delusional.

Fowler first came to Korea in 1985 as a U.S. serviceman. After he was discharged from the military in 1990, he returned to the United States to continue his studies, but was back in Korea three years later.

Fowler told The Korea Herald he started his volunteer work with an orphanage in the Gangnam area of Seoul. "These children obviously needed help."




157,000 Children Adopted Overseas

A total of 157,145 Korean children were adopted by foreigners during the past 50 years, the Overseas Korean Foundation reported Tuesday, and the majority of the children went to the United States.

The foundation, an organization affiliated with the Ministry of Foreign Affairs and Trade, said that 103,095 of the adopted children were sent to the U.S., while France, Sweden and Denmark received 11,090, 8,953 and 8,571, respectively.

Saturday, January 27, 2007

Asian Holiday

No, i'm not referring to the upcoming Lunar New Year, but a whole bunch of days called "Operation Rice Bowl."

That's right. We have an entire 24 days devoted to our race. I'm not exactly sure what this is, but I think we get free rice for 24 days while feasting on mandu and bulgogi. Every 6 days, the dishes will rotate and we get different rice and different side dishes.

What a treat.

*tap on shoulder

What? This is a Catholic thing? For children in Africa?

Oh, never mind, folks.


Those pesky Catholics. You know?

I mean, shouldn't they be exempt from the law? They should also be allowed to receive government tax breaks, and also do things that discriminate against people...especially in adoption practices.

Tuesday, January 23, 2007

Child returned

NASHVILLE, Tenn. - A Chinese couple who lost custody of their baby daughter after putting her in what they said was temporary foster care with an American family won their heartbreaking, seven-year legal battle Tuesday to get her back.

In a unanimous decision, the Tennessee Supreme Court said a Memphis judge wrongly took away the Chinese couple's parental rights. The high court said the couple were penalized because they did not understand the American legal system and thought they were giving up their daughter temporarily so she could get health insurance.

So Far From the Truth


The book, by Yoko Kawashima Watkins, explores the fleeing Japanese from Korea during wartime. A couple of historical innaccuracies are about the "legitimate" occupation of Korea by Japan, the bombing by American forces of Japanese trains, and the daytime rapes of Japanese women. Besides the article on Chosunilbo, the Korea Times also published news.


During my 2004 visit to Korea, I visited Independence Hall in Cheonan. The Hall celebrates the liberation of Korea from Japanese occupation. In the picture, you can see my American eating habits and how they affected my growth versus my poorer Yesan family who lived in the middle of a rice field.

While at the Hall, you can experience what it was like to stand or kneel in a torture box, learn about the Japanese's institution of the "National Culture Annihilation Policy", see the heroes of ancient Korea, and discover the meaning behind "Korea Go Fighting" soccer madness.

This isn't to say that I hate the Japanese. Far from it. What is interesting is that both sides of the conflict have different stories of what was actually happening. However, the history of the cruelty of Japan is widely documented in verified accounts from American soldiers, Korean soldiers, and even Japanese soldiers. The stories abound, and even have lead to legal action against Japan and leaders for their role in the horrendous "comfort women" enslavement.

At the same time, I am part Japanese. Halmoni is fully Japanese and came over to Korea during a time of trouble and conflict. She stayed and tried to learn the language as fast as she could so she wouldnt stick out. Her second son, my Appa, was half Japanese, and therefore I am 1/4 Japanese.

In her original letter to my APs, Halmoni wrote that one of her fears was that, because I looked part Japanese, that I might be treated unfairly.

However, the truth of the matter was that Halmoni's family could not afford to keep me. My oma and appa were never officially married, and my oma too young to keep me as her own.

In the "angry adoptee" world, I was sold for money to support my Halmoni's family, to support my uncle and his family, to get the family re-established in the world.

But nothing is ever that black and white. If it was, war would be justified, and textbooks would always be the truth.

Sunday, January 21, 2007

Inked

I have a tattoo. I'm proud of the tattoo and am glad I waited so long to get the right one. It took many years to actually find a meaningful design, and it wasn't until last summer in Korea where I found the proper piece of art for my body.

So I love the whole tattoo phenomenon that is changing the face of television. And that means I like to watch Miami Ink.

Tonight, Didi and I watched a rerun of "The history of the circus sideshow."

During the episode, Darren Brass tattoos an adoptee, Julie, and her AP from NJ. I figured this could be interesting. It was, until they discussed the design.

I don't know about you, but to me this represents the Star of David. Big J?

Either way, the APs mom was explaining that the necklace represented the love that encircles the adoption triangle, and blah blah blah. . . I tuned out because I was pretty sure it was a Star of David.

I "googled" the thing and couldn't find any type of adoption jewelry related to this design. However, I found a plethora of Star of David results. Therefore, I'm googlefied.

So anyway, they got the thing tattooed on their bodies. Julie, the adoptee got it on her hip with some filigree design, while her AP got it on her ankle.

While they were getting the tattoo they talked about how the adoption experience was, and Julie mentioned how she felt that she was never white enough for the white people nor asian enough for the asian people.

Hmmm. . . I wonder where I've heard that before?

It was a cool episode, and I'm glad that the two could share in an intimate experience. . . but, couldn't they have at least looked up the meaning of the design?

Someone please tell me I'm wrong about this. Oh, and does anyone else have adoption related tattoos?

Wednesday, January 17, 2007

Geisha Girls Gone Grrrrl Power

My lovely Didi sent me this article from Salon. You have to read the interesting interview.

Geisha grrrls

The author of a new book about gender in Japan sets aside Western stereotypes and talks about how ordinary women are fueling a feminist revolution that's transforming the country.

By Corrie Pikul

Jan. 17, 2007 | The American media loves Japanese women, especially when they're dressed in kimonos or school uniforms, or covered head to toe in brand names. But according to Veronica Chambers, a journalist, a novelist and the author of "Kickboxing Geishas: How Modern Japanese Women Are Changing Their Nation," those stylish stereotypes distract us from the real story. Chambers claims that there's a major cultural power shift taking place in Japan -- and it's ordinary working women who are shaking things up.

Chambers first sensed the tremors of revolution when she visited Japan on a media fellowship in 2000; her interest piqued, she set out to find enterprising Japanese women who were bucking the corporate system and creating financial and personal success on their own terms. The task turned out to be harder than she expected -- not because the women didn't exist (to the contrary) but because they didn't think their stories were worth sharing with each other -- or with nosy journalists.

Chambers says she started to feel like one of the Western men of the 19th century who were obsessed with the myth of the exotic Japanese female. But instead of following the flash of red lips or the clatter of geta sandals down the alleyways of Gion, Chambers tracked groundbreaking businesswomen and iconoclastic entrepreneurs to their offices and homes. She spent three years discussing ideas of autonomy and ambition with more than 74 women, including young hipsters like a hip-hop DJ and an extreme snowboarder; barrier breakers like a senior executive at Canon and an openly gay Osaka assemblywoman; and dozens of small-business owners, artists and creative types. Through her interviews, Chambers discovered that feminism is alive and even thriving in Japan -- albeit in a way that might seem a little, well, foreign to American women. And as American women continue to strive for true equality in the workplace, the White House and beyond, she hopes it may be helpful to hear how our counterparts across the globe -- who don't have mandatory maternity laws, who have fewer female representatives in government than most other industrialized nations and who earn half of what men do -- are doing.

Salon spoke to Chambers about "empowered" office ladies, fed-up salarymen, and power-suited female execs who shamelessly play geisha on weekends.

When did you first realize "regular" Japanese women were in the middle of a major cultural shift?

The year I was in Japan for my fellowship was the year of the yamamba girl. Those were the girls with the extremely suntanned faces, the platform shoes and the bleached-blond hair. Also, the subways were filled with these signs that said "No Touching," because there was a big problem with girls being groped on the trains. I read in newspapers that part of the reason some of the girls adopted yamamba dress was to make themselves unappealing to Japanese businessmen. I felt like something really interesting was going on. It wasn't exactly "feminism," but I was hearing girls and women talk about wanting things to be different. I was curious about how women in Japan were changing, and I wanted to look beyond the shop-happy girls in Omotesando, the yamamba girls in Roppongi, the street-fashion girls in Harajuku, and find three-dimensional women doing interesting and pioneering things.

How did you go about finding them?

I started going to the newsstand and picking up magazines and newspapers that looked like they had profiles or stories about women. I'd come back to the U.S., pay to get these articles translated, then fax the translations [about] women who seemed interesting to the Japan Society, with requests for them to help me find them. My contacts at the Foreign Press Center in Japan were almost all women. I'd usually bring a translator with me on interviews, and the women from the Foreign Press Center would say to me, "Can I come with you? I've always wanted to meet someone like this."

Now, these are the people who set up press conferences when Hillary Clinton or Sofia Coppola comes to Japan -- they're not easily impressed. But you don't see a lot of People magazine-type stories or Oprah segments in Japan about regular people doing inspiring things. So the women at the center were really excited to interact with these Japanese women, and that made me feel like I was on the right track.

Just about every major Japanese company is filled with "office ladies," who are uniformed secretaries and administrative assistants. Why is it so hard for them to advance up the corporate ladder?

When I'd go to meetings at companies, I'd meet almost all men. There'd be one woman, maybe -- and she'd be pouring tea. Even at the copier giant, Canon, all the women who work at the front desk wear pink blouses, pink skirts, white gloves. It's like Renée Zellweger in that movie "Down With Love."

When I interviewed Canon's Masako Nara, one of the few women in Japan who is a senior executive at a traditional company, she didn't even acknowledge these women. Here in the U.S. it's understood that you've got to get on the good side of the secretaries and the receptionists, because they tell you everything that's going on. But there it felt like a huge divide between Masako and her female subordinates. Masako later told me that once she got on the corporate track, another woman -- her mentor -- warned her to never pour tea. "Once you do," said the woman, "the men in the office associate you with the women in pink who pour tea; they'll think that's all you can do. You'll never gain back their respect."

If the few women who are making strides in corporate Japan aren't lending a hand to those below them, who is?

It's true that Masako Nara wasn't really feeling the sister-woman thing. She was at a point in her career where she was realizing that she had seven or eight years left to make a mark on the company, and then she was just going to be waiting out retirement. For her, making her mark meant bringing about innovation, it meant becoming powerful -- it didn't necessarily mean bringing in more women. But the fact that she is a woman in a high-level position at a big company like Canon means something, and because she's really good at her job, it will make it easier for the next woman who comes along.

There will always be individuals slipping in the door; the question is, how do you open the door wider so that more women can participate? When Carlos Ghosn, the Brazilian head of Nissan, announced in late 2005 that he was going to double the percentage of women in the company's Japanese sales force from 5 to 10 percent, people said it wasn't a big deal. But at car companies like Honda and Nissan, you have to do all the jobs -- including selling cars -- before you can become a V.P. So Ghosn is actually giving a lot of female Nissan employees an opportunity they didn't have before. But it was telling that it took a foreigner to make that decision.

Is there even a female equivalent for the Japanese word "salaryman"?

No. But then again, who wants to be a traditional salaryman? They work long, grueling hours and have little time to spend with their families.

Here's the classic Japanese situation: A salaryman puts in for his vacation, which he's entitled to. The dedicated thing to do is to show up at work on the first day he's supposed to be out. His supervisor sees him and says, "What are you doing here?! Aren't you supposed to be on vacation?" The salaryman replies, "I was, but I have too much work to do!" Another example: It's rare for salarymen to have a lunch hour or to go out for a big expense-account lunch. They usually take about 15 minutes to slurp noodles at the train station, or they eat quickly at their desks. At lunchtime, restaurants are all full of nicely dressed Japanese women -- no men.

How does the presence of modern women in the office affect the way men behave?

The women tend to take their vacations, and their sick days too. Men see their female co-workers taking advantage of their vacation time, and enjoying long, leisurely lunches, and they think, "Hey, the world didn't fall apart while they were gone. And besides, I'm entitled to this, too!" The men start taking their vacations; they start going out to a real lunch. Their world opens up a little.

The women you talked to didn't seem negative or bitter about their position, though. One woman even said that being an office lady can be empowering. What did she mean by that?

If a Japanese man leaves a company, it's not like here, where you can quit and find a new job at the same level or even higher. It's a huge risk. Even though the financial bubble has burst in Japan and lifetime employment there isn't what it used to be, the fact is that most people still spend their lives at one company. But so few women really have a chance within corporate Japan; they're not on the fast track at a major company, so they can afford to leave and start their own businesses, or to take a couple of years off from work to travel and study different languages.

If Japanese women aren't clawing their way to the top in the traditional sense, what are they doing instead?

There are more women entrepreneurs than men. They're exploring new paths to economic and personal fulfillment -- like Makiko Fujino, who ran for office after years of being a television chef and won a seat in the Diet, and Junko Asazuma, who became an internationally ranked snowboarder after spending years as a "freeter," or part-time worker.

What about working moms? You write that in Japan, maternity leave isn't that common, and neither are nannies or day-care centers. How on earth do Japanese women balance work and family?

You have to really love your job to go back to work after having a kid, and there aren't many women in corporate Japan who love their jobs. So, once they get married and pregnant, most women simply quit. The women who do make it to the upper levels at corporate companies tend not to have kids. For example, Masako Nara was divorced, and didn't have any children. It's not that there's a stigma against working women or mommy executives, it's just that there aren't that many of them. It will be the younger generation that will have to test that out.

What kinds of messages about work, family and home are young Japanese women getting from their mothers?

Out of the 75 women I interviewed, there were five, maybe 10, women whose moms were not housewives. If the family had a business or owned a farm, the mother might work, but for the most part, if you grew up in the '60s, '70s or '80s in Japan, your mom stayed at home. They're now telling their daughters, "I was trapped by the money. If I had the financial means now, if I knew what to do with myself, I'd get a divorce. Don't let yourself get into this situation."

Japanese women are delaying marriage and not having as many kids -- if any -- and it's because they got smart. They hear this stuff from their moms, And they're like, "Once you get married and have kids, you're locked into an 18-year job." If you can delay that, then you can travel, you can learn languages, you can make your own money, do your own thing. So there's actually this worldliness and sophistication that you see in young, single working women.

Compared with Japanese women, it sounds like Japanese men work more, take fewer vacations, have less free time, are less valuable to their global companies and are less sophisticated than their female counterparts.

It becomes hard to say who has the better -- or worse -- deal. There are women, especially young women, who would really like to run a company and have the opportunities that the men have. On other hand, you have men saying, "Company life isn't that great. I'd love to learn a foreign language, travel, have hobbies ..." The sexism is obvious, but at the same time, that sexism has created what one might call a sort of freedom. But it's not truly freedom, because the fact is that women should have a choice. Right now, women don't have a choice to be part of corporate Japan, and so what they've done is made these interesting other choices, like starting their own businesses and creating new roles for themselves within traditional companies.

You compare women's situation in Japan today with that of women in the U.S. circa 1974. What do you mean by that?

Think about what was going on here, with the ERA, with women getting some opportunities in the workplace but also talking more about what else they could do. Think of [TV's] Mary Tyler Moore: She was an associate producer on a news show, but she still answered her male boss's phone. In Japan, women might have a title and an opportunity to get their foot in the door, but they still don't necessarily have the power to do what men have traditionally done.

But in the U.S. in the '70s, those feelings and frustrations led to a major, organized push for women's equality. Is there an organized feminist movement in Japan?

This is a revolution without a movement. With the birthrate dropping, women getting married later and the level of women's entrepreneurship increasing, there's a feeling that things are changing. But I couldn't find the Japanese equivalent of NOW or anything like that. There's this one female media figure, Yoko Tajima, whom everyone refers to as the Gloria Steinem of Japan, but she doesn't represent an organized movement or agenda. She means a lot to a lot of women, but she's acting individually. Part of that is because Japan doesn't have a sit-in, petition, rally, movement type of culture. That's not the way that things get done there. When I first arrived, I actually thought all of this was going to grow into a movement by the time I left. I thought things were going to change, and I still do, but I'm not sure if it will be organized in a way that I or other American feminists can understand.

Do you think American women can learn from the way Japanese women conceive of work, home and success?

In the U.S., there seems to be a big divide separating women who stay at home with their kids and women who work in the office. It feels like you need to take a side. But most of us carry both of those ideas within ourselves: Women who work want nothing but the best for their children, and women who stay home still want to be intellectually engaged and challenged.

I think Japanese women are a little more comfortable taking from the old and new without feeling bad about either. Like American women, the Japanese women I interviewed were trying to construct a life with a meaningful sense of work and with satisfying relationships. But there's more of a "don't throw the baby out with the bathwater" sense in their regard for tradition. Japanese women are trying to create a more modern sensibility, but there is also a connection to the past. I don't think the Japanese feel like they have to be career women or mothers; they don't feel like they have to be feminist or traditional. You can find a woman who works as a vice president at Canon and also really likes playing the shamisen, which is one of the traditional geisha arts, or a snowboarder who spends her off-season doing ikebana, or flower arranging. And that's not an embarrassing admission at all. The old is always with you, and not something to reject in order to create a new definition of yourself.

How did the women you interviewed greet the idea that they are part of a national "revolution," and that the choices they make at work and at home could impact other women's lives?

Japan is a very humble nation. One of the biggest hurdles was convincing women that they -- as individuals -- were important and interesting enough to be featured in the book. I spent a lot of time wooing women, trying to put across how important I thought they were to the project. At the same time, I was assuring them that I wasn't singling them out as "the nail that stands out and should be hammered down," to paraphrase the old Japanese saying.

It sounds like the changes taking place are positive, but they're not as earth-shattering or widespread as American feminists might expect, or want. Why should we feel optimistic for women in Japan?

It's easy to say that they are so far behind us because there's so little room for women in corporate Japan, and that corporate Japan is a chauvinistic system that locks women out. But it's more like corporate Japan is a strict and difficult taskmaster, and both sexes are trying to deal with that. At the same time, we're seeing a lot of highly educated American women, who were on the fast track in the corporate U.S., simply walk away from it all.

Which is all to say, is it possible that 30 or 40 years from now, Japanese women and American women could end up in a remarkably similar place? I think it is. It could be that Japanese women will carve a thoroughly modern existence and paths to opportunity without those early 10 or 20 years that American women spent in big corporations, feeling our way around in our skirt suits and blouses with floppy ties, some of us wanting to fast-track it in the Fortune 500. But many of us -- maybe most of us, like most men -- do not.

Monday, January 15, 2007

Me Real Bad Korean

Why the hell am I not notified of these things?

Don't they know who I am? I'm calling the Congress to complain that this wasn't advertised. Instead, I have to put up with early Valentine Day crap and Easter bunnies on store shelves.

Korean American Day Celebrated in US



By Kim Rahn
Staff Reporter

Koreans and Korean-Americans in the United States held festivals and events across the country on Saturday to celebrate ``Korean American Day.’’

It was the second year for the celebrations since the U.S. Senate designated Jan. 13 as Korean American Day in 2005 to commemorate the first Korean immigration to Hawaii in 1903 on that date.

Koreans are America’s only minority group that has an official day commemorating emigration to the U.S.

In Los Angeles, prayer meetings and seminars were held at churches and schools, as well as a children’s choral concert at Wilshire Ebell Theater. On Friday, LA City Council delivered a congratulatory message to members of the Korean American Foundation of Southern California for the fourth anniversary of the city’s proclamation of Korean American Day.

In New York, the Federation of Korean American Associations of New Jersey held ceremonies and unveiled a sculpture at Queen’s College Golden Center. Korean movie screenings and various performances are also being presented in New York through Jan. 20.

A fashion show of traditional Korean costumes was held at the Smithsonian Institute in Washington, D.C. Some 90 outfits including traditional royal costumes and modern hanbok made by hanbok designer Lee Sun-hwa were presented.

Meanwhile, the Korean Interchange and Cooperation Association decided to launch a signature-collection campaign in LA to urge the Korean National Assembly to designate Jan. 13 as Overseas Korean Day, an expanded version of Korean American Day.

Not Lucy Liu


My Life: Asian Americans Focus of PBS Film

Actress Di Quon says she’s spent much of her acting career playing the same role that many Asian American actors get stuck with. The “friend” of the main character. Case in point: Her first big break in 2002 was as Lily Kim, a seamstress and friend of Jennifer Lopez’s character in “Maid In Manhattan.”

“Why am I always the friend?” she asked herself. So, one day while dining with a producer in California, she said to him: “I think I should be the main person for once, and I should have a Caucasian friend. Wouldn’t that be interesting?”

The producer, Sam Chi, asked: What would the show be about?

“I think it would have to be life experiences that everyone shares,” she replied.

In that one conversation, the idea for “My Life… Disoriented,” a 30-minute short film that will air on WBGH 44 on January 7, was born.

Read More . . .

Saint Fujita


Saints' Fujita the sum of multi-cultural influences

Cal grad was adopted by a Japanese-American father and white mother


When Scott Fujita, propelled by the electricity coursing through the Superdome in late September, chased down Michael Vick and knocked the ball loose and out of bounds, he picked himself up and, turning toward his bench, covered his right fist with his left palm and bowed.

The gesture, symbolizing the yin and yang of power and restraint, was quickly being mimicked on high school fields all over the city.

Adults have also found different ways to pay homage to the linebacker, a little-known free agent who has played a key role in the Saints' surprising season.

Teammate Mike McKenzie introduced Fujita, a Cal product, to a national television audience as "The Asian Assassin." A sushi bar in the hip Warehouse District soon had a Mt. Fujita Roll atop its blackboard list of specials.

If the Saints continue to win, a much broader audience may be turning Japanese.

Before that happens, there is one thing that the object of this affection thinks you should know.

He's not Japanese.

"I'm not trying to deceive anybody," said Fujita, whose sandy hair, green eyes and 6-foot-5, 250-pound frame would make that a chore. "I do realize I don't have any Japanese blood running through my body."

That's not to say he doesn't feel Japanese.

Read more . . .

Lucy Liu All American Girl

As in many of Liu’s screen work, her Asian ethnicity often is of secondary consideration as she has been able to play women whose cultural backgrounds are irrelevant, such as in the "Charlie’s Angels" films. Liu remains surprised that in a Hollywood still often not so colour blind, this Asian-American actress has risen to the top of the industry’s echelon. “I feel very grateful and incredibly lucky, and it’s been such a wonderful surprise when a script comes our way where it’s a great character and not specifically Asian at all. So it’s been very fortuitous and I can’t complain.” Not that it’s been handed to her on a silver plate. “I can’t say that it hasn’t been a difficult road and I don’t think that people are completely open to it all the time, but I think if you make the right choices in your career and you continue to work towards that then you can make waves.”

Read more . . .

University of California racist?

Just came across this post:

For many minorities, UC Riverside is the campus of choice

It offers race-based programs to assist them on campus. The school celebrates its diversity, but some critics charge that the UC system funnels minority students to that campus over others.

This year, the UC Riverside undergraduate student body is 7.1% African American, 43% Asian American, 25.1% Latino and Chicano, and 18.7% white.

In 2005 — the last year for which system-wide figures are available — UC student bodies overall were 3.1% African American, 39.9% Asian American, 14.3% Latino and Chicano, and 35.8% white.

But there has long been a pecking order among the campuses, with Berkeley and UCLA at the top and Riverside near the bottom.

Berkeley and UCLA typically draw students from the top 3% of the state's high school graduates, a pool that is more white and Asian American than California's population as a whole. Riverside draws a more diversified student body, but accepts nearly every eligible student who applies.


Read more . . .

American Auto Show

Now, here's what I call cultural bias. In the "Manila Times" the article claims that American automakers are out to "fight back against determined Asian rivals."

On the other hand, most American newspapers covered the event as a great international showing of new concept cars and interesting changes in the landscape of autogiants.

I don't know, but these auto shows are becoming more and more dominated by Asian designs. If you look at the new Chevy cars and even Ford designs, they're literally copying the lines from older model Japanese concept cars.

Bleh, cars and boys. Bleh.

Friday, January 12, 2007

BRATZwurtz

I sort of feel about the BRATZ the same as I do sausage. It's kind of nasty looking.

In reality, if I saw a girl that looked like this in real life I'd think she was either 1) a circus clown, or 2) seriously deranged.

They have no nose (at least in the majority of the pictures) and their eyes are huge and their lips are fatted with collagen. In short, they look like a lot of the girls in South Florida.

However, if you have a daughter between 3 and 10 you know what power these dolls have over your children. They want them so bad that they really don't see the disgusting characteristics of these dolls. These things are probably worse than Barbie when it comes to image, yet we're supposed to accept them as "multicultural" expressions of children from different social and economic backgrounds.

I'm not sure, but the concept behind multicultural dolls or dolls of "color" make me confused. I thought we were supposed to promoting positive images for young girls, not the same image but with darker hair and slanted eyes. The bodies are the same, the make up is worse, and the clothes are trashy.

But, the Noodle wants one because all her friends have them. Didi and I have long maintained that the Bratz are not welcome in our house because we don't like the attitude of Bratz fake or real. We also say that they wear too much makeup and wear bad clothing.

This doesn't phase the Noodle, who insists that we can find a kid Bratz that doesn't have "a lot" of make up.

But, then I found this:


Oh yes, it is the Tokyo a Go-Go "JADE" doll complete with hair braids and her very own anime (if you read the text carefully you can laugh at the fact that they spell anime with an accent over the "e").

You can even get Jade to go to her favorite sushi bar. That's right, the BRATZ have their own Tokyo a Go Go Sushi Bar and Karaoke set.
As parents, what do we do when these items are made available. On one hand, I think it's cool that the toy company made a sushi bar. At the same time, why did it have to be called the Tokyo a Go Go set? Why did it have to include karaoke? Is this stereotyping?

We haven't made a final decision, but this cuteness is almost too hard to resist.


What do you all think about this phenomenon?

Searches to my blog

Once again, it's time to do the "How'd you find me" routine.

NORMAL:

China adoption requirements
Pushing Up the Sky Adoption
Guatemala adoption
Florida Gators
Noraebang
Yul Kwon

ABNORMAL:

Model bleach anus
asians trying to look more caucasian
women that give enemas in south florida
the penis stop
penile disfigurement

As usual, the normal searches were done, but the enemas thing...that's just weird.

Wednesday, January 10, 2007

Florida Gators Blue Away Buckeyes


Grown men crying over a loss is real bad. Perhaps the OSU Buckeyes should have stopped reading and believing all the press about them. No really, perhaps OSU should've played Michigan in the Championship. At least it would've been closer, and the Buckeyes would've won.

The SEC went 6 - 3 in the bowl games (Penn State beat Tennessee and Wisconsin beat Arkansas). But we beat those teams also. And Wisconsin didn't play OSU. However, the SEC had 8 of 12 teams with winning records at the end of the season. The SEC beat 4 ranked teams in bowl games.

The Big Ten (which is stupid since there are eleven teams...duh) went 2 - 5. Hmmm....I wonder which conference is better. No really, it does make me wonder. They only had 5 teams with winning records at the end of the season. The Big Ten beat 2 ranked teams in bowl games.

So how bad does OSU stink?

10. 4 completed passes
9. 47 yds rushing
8. 35 yds passing
7. 8 first downs
6. 5 sacks allowed
5. 19 minutes possession
4. 0 - 1 on 4th down (ooops).
3. 1 - 9 on 3rd down (ooops).
2. 41 - 14
1. WTF is a buckeye anyway?


How good are the Gators?

10. 26 completed passes
9. 156 yds rushing
8. 214 yds passing
7. 21 first downs
6. 1 sack allowed
5. 42 minutes of possession
4. 2 - 3 on 4th downs
3. 10 - 19 on 3rd downs
2. 41 - 14
1. Chomp Chomp!

Tuesday, January 09, 2007

I got tagged

I walked into a tag from TTR and decided that since I haven't done one in a while, I might as well participate.

Besides, I can actually complete this one without too much thought and effort.

1. Name a movie that you have seen more than 10 times.
Like TTR ~ Princess Bride (close second Holy Grail)

2. Name a movie that you’ve seen multiple times in the theater.
Return of the Jedi

3. Name an actor that would make you more inclined to see a movie.
Audrey Tatou

4. Name an actor that would make you less likely to see a movie.
Paris Hilton (House of Wax)

5. Name a movie that you can and do quote from.
Again, Princess Bride and Holy Grail

6. Name a movie musical that you know all of the lyrics to all of the songs.
Angry Inch

7. Name a movie that you have been known to sing along with.
Opening Scene from Wayne's World

8. Name a movie that you would recommend everyone see.
An Inconvenient Truth

9. Name a movie that you own.
The Sound of Music

10. Name an actor that launched his/her entertainment career in another medium but who has surprised you with his/her acting chops.
Marky Mark Whalberg

11. Have you ever seen a movie in a drive-in?
No.

12. Ever made out in a movie?
I don't actually believe I have.

13. Name a movie that you keep meaning to see but just haven’t yet gotten around to it.
Hotel Rawanda

14. Ever walked out of a movie?
Yes - Ishtar.

15. Name a movie that made you cry in the theater.
Glory

16. Popcorn?
A lot of it.

17. How often do go to the movies (as opposed to renting them or watching them at home)?
Never now. Mostly rent.

18. What’s the last movie you saw in the theater?
Invincible.

19. What’s your favorite/preferred genre of movie?
Documentary or things with subtitles.

20. What’s the first movie you remember seeing in the theater?
Star Wars with my uncle in Texas, and the theatre on opening day was empty.

I tag the next ten people who read my blog.

Korean Drama Rocks



We make front page Yahoo news. Read about it here.

Twin Champs


National Championship.

It has a nice ring to it. However, there are two teams we haven't played that I really wouldn't mind seeing how we did - Boise State and USC.

Either way, this was nice. Very nice. This tops off our NCAA Basketball Championship.

Sunday, January 07, 2007

A New Year of Noodlerama

I'm going to be posting all my Noodlerama things here.

Just so you know, my kid is:

Ridiculously


Good


Looking

We went up to Satellite Beach to visit some friends who were down for a break. While there, we figured we'd go to the beach and get some sun.

The following are the pictures that Noodle liked the most and wanted to put up.





As per my usual Noodle posts, here are some interesting bits from Noodle.

Noodle: (while in car) I keep dropping my stuff.
Papa: Noodle, just hold on to all your stuff.
Noodle: But, I can't hold all my stuff!
Papa: Why not?
Noodle: I only have two arms...

Noodle: Daddy, they have an alphabet store!
Papa: Where? (noticing the ABC liquor store)....oh.

Noodle can also spell words forwards and backwards.

Noodle can count to 100. She'll do it about 100 times.

Noodle has watched "Hoodwinked" about five times this weekend. She calls it the "Red Riding Hood movie."

Noodle sings "Funky Town" and "YMCA" thanks to the purchase of a Strawberry Shortcake Karaoke machine. Why they think it is appropriate for 4 and 5 yr olds to sing these songs is a bit odd.

Noodle told Mama "I'm sad because I don't sing like Ariel. Ariel sings good and I don't." Mama had to explain to Noodle that Ariel practiced very long and hard to sing good, and so Noodle will become a good singer eventually.

Noodle is growing so fast that she gets upset if I refer to her as 4. She says she's almost 5, as if that is being a big kid. I don't want her to grow up so fast. I enjoy this age of discovery and fun.

Friday, January 05, 2007

I don't need subtitles

Thursday, January 04, 2007

What Asian Country Should You Visit?

So I'm finally on "myspace" and goofing off when I come across this interesting quiz.

What Asian Country Should You Visit?

I figure, what the heck and find out that I should visit India. Hmmmm....
I tried different combinations and came up with China, India, Cambodia, Japan. No Malaysia, Indonesia, Vietnam, or Korea. In fact, the most obvious changes in choices came when you answered the first question differently:

  1. What type of Asian food do you like?
    • Spicy food
    • Sushi
    • Stir fried veggies
    • Anything with a little Western influence
    • Curries

Wednesday, January 03, 2007

Conscientious Rejector

"I'm trying to end something that's illegal and immoral..."

Interesting article and interview about Hawaii native First Lt. Watada who is under court martial for refusing to deploy to Iraq.

Stay tuned to this on Yahoo! news and other forums. I just found out about this today. But, it sounds like he's going to pay with a prison term.

Tuesday, January 02, 2007

Childhood Games Last Forever

Playing "dress up" has always been part of the childhood experience. I dressed up as pirates, rock stars, greasers, indians, cowboys, football players, charlie chaplin (don't ask), and even in dresses (does college count?).

So I have to ask myself how I really feel when I come across packages like the following. The "artsy" gift was in a nice arts and crafts kids' play museum where they could explore all kinds of things from their "global village" and get their passport stamped in different places.

Of course, one of those places happened to be Japan. They even had a Japanese tea house replica where the "tour guide" would tell the young children that they couldn't go inside with their shoes on. This didn't stop some of the kids from trampling the bamboo floor with wet and dirty shoes, or from making some odd faces (think slanty eyes) in the mirror that was placed along the wall.

Please note, that the picture here suggests that Japanese people watch TV (left corner) on tiny VCR combos. As if! Don't they know that all Asian people have giant plasma or LCD wide screen deluxe models because they're so ridiculously cheap in Japan and Korea and China? Straight from the source!

Anyway, I didn't mind the Japanese part of their "global village" and thought the inclusion of it was pretty cool. However, in the United States section, there was a bank that, for some strange reason, had a Chinese abacus for counting. Now, don't get me wrong, I'm sure it was there for the foreign exchange rates, but I just thought that was a bit odd.

To make the whole "museum" experience even more fun, you could excavate in the Mayan temples, drum in African villages, and do art in the style of Frida Kahlo. There was clay in the pueblos, and totem heads in the Pacific Northwest. And then you rounded the corner back to the good ole USA and all you found were a few pretend shops and that strange bank.

The highlight of the museum was Dora the Explorer's house! You could rummage through a tunnel, flip food on her grill, and for some strange reason, hide in her kitchen cabinet. You could also see how tall you were with Diego and Boots. You could even put yourself on TV with Dora! (Noodle there waving at Dora)

But, back to dress up. It's a medical thing, it's scientific. Dressing up and just playing is supposed to make children smarter. It aids in allowing children to create and invent and also solve problems.

So what type of problem will the child solve, or what type of thing will the child invent during the play in a "Far East Asian" outfit? The package is primarily "Chinese" in culture (hence the dress and fan) but China isn't the farthest East one can go. Wouldn't that be Japan? Yet, no kimonos in the gift shop. There wasn't a China stop in the "global village" tour, so to have the only Asian toy in the gift shop be this particular package was disappointing.

The package also had a clever little note on the bottom!

That's right. You can make sure you complete the "Asian" look with a mini fan and dress charm. Perhaps that is a cell-phone charm, because that would be authentically Asian today.

This was a satin shirt purse. For only $20 you can have yourself a "lifetime" of creativity. So that's what it is. Childhood creativity does last a lifetime. Just, what type of creative outlets will children have who play with such toys? I'd actually think that the majority of kids will be fine with this. I think the majority of kids will at least appreciate the other culture. However, the appreciation will only be in terms of acknowledgement that they recognize the otherness the Asian person embodies. It's a start.

Maybe, just maybe though, if they put that purse to good use, and match it with some Jimmy Choos, then I'll let it slide.

Wha?